Showing posts with label Copland Aaron. Show all posts
Showing posts with label Copland Aaron. Show all posts

Monday, November 14, 2011

Aaron Copland: Complete Chronological Catalogue

"You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down... some sort of permanent statement about the way it feels to live now, today." - Aaron Copland

Aaron Copland (November 14, 1900 – December 2, 1990) was an American composer, composition teacher, writer, and later in his career a conductor of his own and other American music. He was instrumental in forging a distinctly American style of composition, and is often referred to as "the Dean of American Composers". He is best known to the public for the works he wrote in the 1930s and 40s in a deliberately more accessible style than his earlier pieces, including the ballets Appalachian Spring, Billy the Kid, Rodeo and his Fanfare for the Common Man. The open, slowly changing harmonies of many of his works are archetypical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. However, he wrote music in different styles at different periods of his life: his early works incorporated jazz or avant-garde elements whereas his later music incorporated serial techniques. - Wikipedia


This playlist collects the complete compositions of Copland, sorted in chronological order after this list. The first track is a conversation from 30 years ago today, on Copland's 81st birthday, in which the composer talked about how did he find the name Appalachian Spring (or really the other way around). Both the original version and suites of the ballets are included (the original Appalachian Spring for 13 instruments is a must hear). I used lots of recordings conducted by Copland himself but also digested many other fine performances. The Clarinet Concerto is played by Benny Goodman, and the Piano Concerto features Leonard Bernstein on the bench.

Here's the Spotify playlist: Aaron Copland: Complete Chronological Catalogue (279 tracks, total time: 21 hours) Ctrl (CMD)+G to browse in album view.  Seven tracks are currently not available on Spotify USA, including, unfortunately, a 17 minutes Copland Rehearses Appalachian Spring at the end of the playlist. Find more about this great composer on Keeping Score: In Search Of An American Sound, and The Aaron Copland Collection on LoC. Also give the recently unearthed original version of Quiet City a listen on NPR, hope it will be on Spotify soon. Lastly, I recommend Copland's book What To Listen For In Music to everyone who ever wondered about that question.

Happy 111th birthday.


Friday, April 16, 2010

Made In America: Naxos American Classics On Spotify

Before I go for the annual company trip tomorrow, I want to post the longest playlist I created so far. It consists of all recordings from Naxos' American Classics series available on Spotify, 271 of them in total.

"Our highly-acclaimed American Classics series boasts a unique catalogue of both well-known and rarely recorded masterpieces. This landmark series features the greatest American composers both familiar and unfamiliar: Romantics like Louis Moreau Gottschalk and Edward MacDowell; visionary modernists such as Charles Ives and John Cage; buoyant spirits like Sousa, Joplin, Ferde Grofé; figures at today's cutting edge such as John Adams, Philip Glass, John Corigliano, Paul Moravec, William Bolcom and Michael Torke."

The recordings are arranged by composers alphabetically, the same as Naxos' official page, which also provides back covers, composer biographies, album details, and even librettos of the operas. I put the American Classics Sampler at the beginning and the 2-CD set The Story Of American Classical Music at the end.

Here's the Spotify playlist: Naxos: American Classics (3665 tracks, 1.7 weeks) And here's an interesting discussion on this series: Third Rate Music? Personally I like many American composers' works, and feel that they are vastly underrated and underappreciated. On Youtube there's no Rorem symphony, no Zwilich violin concerto, even no decent performance of Barber's wonderful piano concerto. Thanks to Naxos and Spotify we can explore so many new music at ease.